What I’m Doing About It (My Manifesto) Pt 2

First Issue- What is the problem?

Contemporary popular music is one vast cultural problem among many (but it’s a problem of great magnitude due to the scope of its influence). It is a precise indicator of what ails society (if one looks for the correct symptoms).

Personal expression has ceased to be the provenance of the individual and has been transfigured into a commodity which is bought and sold by clothing manufacturers or computer companies. This is exemplified by how virtually impossible it is to find a contemporary musical artist who is doing something of emotional weight or resonance (but it’s far easier to lust over an iPod, an iPad or the new “Call Of Duty” video game).

The newest generations of artists have the age-old fire of expression burning inside them which they desperately need to vent and expose. However, unlike creative people who flourished at other periods in history, these artists don’t have the tools with which to effect this venting.

They don’t know how to look for these tools, let alone, what to look for.

It’s not for lack of trying (or wanting) which has denied new generations their implements and their entree. There simply is no one who is skilled and willing enough to pass the torch on to them.

The fact that popular music has become a disposable, artificial wasteland is only the tip of the cultural iceberg. On the underside of this iceberg is the fall out from the musical freefall (and the long range effects it has on other art forms, education, business, etc).

The degeneration of popular music also underscores the essence of society from a completely different perspective. Our social order does absolutely nothing to reinforce or support any kind of originality or personal expression.

And, this lack of support regarding personal expression falls heaviest on young people. In the present social order, young people are considered less as functioning contributors and more as members of a demographic.

Of course, young people in this society are often raised to believe that they are entitled to greatness, as opposed to having to earn it. However, they require having this put in the proper context so they can experience the payoff they would obtain through earning (as opposed to simply getting).

Young people can only receive this awareness from those who raise and teach them. For that reason alone, children require parents, teachers and mentors. These capacities are commodities which grow scarcer.

Second Issue- What roles have we all played in allowing this debacle to occur?

Events that occur on a large scale are usually a result of the action (or inaction) of many individuals operating in any sort of collusion. As individuals, this means that (in some small way), we have played a role in precipitating the events that involve (or occur around) us.

If I am willing to accept accountability (and personal responsibility) for what happens in my life, how might I also be accountable for what has happened around me?

As I suggested earlier, in order to effect change, to be proactive, one must be willing to acknowledge their role in allowing (or forcing) a situation to degenerate (and thereby, their power in helping the situation to regenerate).

Here, I use myself as an example.

I played a part (however small) in the degeneration of popular music. In the past ten years, I made some poor choices that were based (in part) on bad judgment and an ardent desire for transient, illusory things.

Over that time, I disrespected my own abilities. I gradually turned away from the world and away from being creative. Instead of working, I turned inward.

By forsaking the gifts I possessed and instead, becoming embittered, I deprived the world of my voice in a narcissistic and egocentric manner.

By essentially inviting the world to pass me by (and taking my abilities for granted), I created a small void for others less vigilant to fill.

In my own way, I feel this is my accountability for what has happened in the current debacle. And, as I accept personal responsibility for my actions, I also affirm my power to correct them.

Now, perhaps you can apply similar criteria to your own action or inaction. Take a look at yourself and see how you might have some kind of responsibility or accountability (and therefore, power) in this situation.

Third Issue- What can/ will I do about it?

This very moment is the time to take a stand. It’s time to be seen and to be heard.

I am willing to address these issues, whether or not anyone else is. I’m committing myself to help new artists. Since I feel strongly that there will be no new talent of great substance without assistance from somewhere (or someone), I’m prepared to put my money where my mouth is.

I will do this because I love music. I love art, I love everything about the outward (and inward) expression of human beings.

People have a remarkable capability to generate, communicate and transfer their deepest emotions to others through various means that they’ve essentially fabricated out of thin air.

How magnificent we are: how amazing that we can perform such magic, such alchemy- create such music, such art.

At its beginning, music may primarily have been a mode of communication, perhaps even a means of survival. Then, human beings turned it into an art form.

And suddenly, the art form has soured and gone bad. That’s correct- it’s wrong, the magic has been completely excised.

From communication, to art form, to garbage.

And it is because of this transformation that music has ceased to communicate anything of necessity or value to anyone. I would venture that this is the first time in history such a travesty has befallen humankind.

What kind of a world is this wherein video games are more exciting (and better entertainment value) than music? What kind of world is this wherein an art form which has enabled great civilizations to survive and flourish down through milennia is usurped by transience, valuelessness and flash?

What do you feel? Do you disagree with any of these points? Do you feel as if there is an equitable balance between the insipid, loud, knee-jerk, machined pop music that the world is currently awash in, and music which pours directly out from the soul of an artist (finally coming to rest inside your very being)?

Do you feel that you have in no way contributed to this state of affairs (and therefore, you have neither the power nor the inclination to change anything)?

Do you like things as they are? Are you comfortable, first with music, then culture and finally, your civilization collapsing around you like a house of cards?

Or do you not only agree with this assessment, you feel that I’m missing a boat load of adjectives to describe the problem?

Where do you stand?

Advertisements

About Michael J. Beinhorn

I've been producing, directing, analyzing, arranging, writing, rewriting, programming, engineering, orchestrating, performing and mixing music for 35 years. I also make illustrations and just became an author.
This entry was posted in Music, Music Business, Pop Music, Popular Music, Uncategorized. Bookmark the permalink.

2 Responses to What I’m Doing About It (My Manifesto) Pt 2

  1. George Pangopoulos says:

    Hmmm. Well for many years over the last decade I felt just this way. Like many of my freinds I’ve been the greatest thing to never happen because of it.
    I’ve in turn decided to ignore it. I’ve decided to be who I am and make music for the fact that I can and do. The epiphany was very small and simple but really everything good in life is. Since then I’ve written over 300 songs. I’ve started playing and recording them and as far as I can see I’m changing the world.
    The world through my eyes belongs to me. I have to change myself and my general disposition before I can change anybody else. So far anyone who has been allowed to hear the stash of music I’ve been sitting on has loved and can’t stop. I spent a decade trying to write hit songs to make a difference.L, or change things. I finally understand that the music is here to make me different. That is why I came, that’s why It continues to make make me.
    Now everything note that comes in the studio or out is not from me, it’s enchanted. Whole songs back to front better than anything I coul have tried to create are written in an instance because they have to be.
    The world was here a long time before we were. It’s such a small note of a planet in the grand scheme of things, but as I said before most good things are. Stay on the path you know what your here to do.

    Love and light.

    GP

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s